University Of Memphis Art Department – Our program is the premier professional undergraduate/graduate fine art photography program in Tennessee and the seven surrounding Midwestern states. With the largest photography faculty in the region – which includes three full-time nationally known photographers, several part-time professional teachers, and a full-time experienced photo technician – our students receive individual attention and detailed instruction. Our well-equipped facilities include separate black and white laboratories, a color printing laboratory, an alternative process laboratory, an electronic art laboratory, and studio lighting facilities.
Students in our photography program have a spirit of togetherness, which creates a positive, friendly place to study. Their active student group, the Photographic Society, plans activities that include an annual lecture series by internationally known photographers, travel, field trips, special workshops, group exhibitions, and parties. These events provide opportunities to make connections with leading photographers.
University Of Memphis Art Department
Students prepare for careers in fine art photography (b&w, color, alternative process, digital photography, and mixed media), documentary, freelance editorial, commercial/advertising, portrait photography, and fashion, as well as teaching.
University Of Memphis
The educational philosophy of the program claims that the photographer first needs to discover his personal vision, and then elaborate on his uniqueness within a fine arts education. Our fine arts approach, combined with a strong technical foundation, provides the foundation for artistic discovery in photography: it frees students to explore their own direction in photography.
Later, as an undergraduate or graduate student, you will work closely with several faculty on independent self-assigned projects that strengthen your personal approach. This independent work becomes a key transition to a self-sustaining professional career in photography. Painting at the U of M is taught within the wider cultural, historical and contemporary context in which art is made and experienced. Within this context, our undergraduate and graduate students gain rigorous experience in the discipline of painting. Instruction in oil, acrylic, watercolor, and other media, as well as opportunities for mixed media exploration with other fields, is combined with investigation and discussion of art theory and contemporary issues. Small classes allow students to develop personal interests, aesthetics and thinking skills. Our faculty and visiting artists provide group and individual attention through lectures, demonstrations, discussions and critiques.
Students are introduced to a variety of techniques and principles about the nature of painting with the intention of encouraging individual exploration. Undergraduate painting students are required to take courses in the other fine art concentrations. Since contemporary art is often in the form of multimedia works, painting students often create works that incorporate other art media such as collage, photography, drawing, sculpture, digital imagery, and installations.
The undergraduate printmaking program at U of M introduces students to an intensive fine art program of practice and theory designed to provide the foundation for independent exploration and later artistic development. We believe it is fundamentally important—intellectually, conceptually, and technically—that undergraduate students have a comprehensive educational experience. The size of the department guarantees exposure to many stylistic ideas and approaches, while flexibility within our curriculum allows for direction and personal development. An in-depth examination in a variety of media and technical training enables students to become adept at crafting and presenting work. Class discussions provide the opportunity to explore a range of contemporary, theoretical and historical issues which enable an understanding of a work of art with a broad context.
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The printmaking studios are well equipped for specialist and cross-disciplinary focus in all of the traditional processes including woodcut, plate-metal intaglio, screen printing, lithography, and other methods of process photography. . Manual and photographic methods of working in all media are instructed and digitally produced images are fully explored. Intermediate classes explore these processes in detail with an emphasis on understanding the relationship of technique and concept.
Advanced courses in printmaking focus on new technology as it relates to traditional printing processes. In addition, students are encouraged to combine and exchange the different printmaking processes.
In the 3-D areas, students discover the wide scope of form in space. They explore a variety of methods for conceptualizing ideas and inspiration in sculpture and ceramics. Contemporary trends and evaluations of artistic development are woven into class projects.
Assignments challenge creativity as well as providing a basic understanding of the different tools, materials, and techniques used to communicate through three-dimensional form. Undergraduates share and interact with graduate students in large studios equipped for metal welding, clay modeling and firing, permanent casting, and wood construction.
University Of Memphis Commemorates Start Of Construction On New Stem Building
The horizons of sculpture have grown to include different types of art productions, leading to the expansion of aesthetic concepts. In response to contemporary trends, sculpture as an art form is redefining itself to include new environments, installations, and media. Our graduate and undergraduate sculpture programs are designed to encourage exploration of the widest possibilities of individual expression as well as investigation and understanding of contemporary art issues. Students are challenged to excel in their production and in expressing concepts and concerns that affect and shape their work.
In Ceramics, students learn new and traditional techniques in clay and glaze technology, expanding their knowledge of the use of clay, glazes, and slips in the construction and decoration of pottery and ceramic sculptures. The use of gas and electric kilns, and other equipment, is included in the programme.
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